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12/16/2024
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Left image: Houston Ballet former Principal Melody Mennite as Clara in Stanton Welch's The Nutcracker. Photo by Amitava Sarkar (2018). Right image: Houston Ballet former dancers Paul LeGros and Katie King in Ben Stevenson's The Nutcracker. Photo by Connolly (c. 1976).  

 

November 9, 2024 - January 11, 2025

 

About this Exhibit 

A few years after the establishment of the Houston Ballet in 1969, the company began a cherished holiday tradition: performing The Nutcracker to audiences across Houston. This timeless ballet, composed by Pyotr Ilyich Tchaikovsky and choreographed by Marius Petipa in 1892, has become a beloved staple of the holiday season.

The Nutcracker tells the magical story of a young girl named Clara and her journey through a fantastical realm on Christmas Eve. The ballet has been reimagined through the creative vision of three distinguished choreographers for the Houston Ballet: Frederic Franklin (1972-1975), Ben Stevenson O.B.E. (1976-1986, 1987-2015), and Stanton Welch AM (2016-present). Each interpretation has infused new life into this classic tale, while honoring its enchanting story.

This exhibit showcases artifacts from each production, highlighting the creativity and dedication of the artists involved.

 


Join Us

Learn about the choreography, set designs, and costumes that have evolved over the years, enhancing the visual and emotional impact of the performance. As you experience Houston Ballet’s The Nutcracker Comes to Life, we invite you to embrace the magic of the holidays and reflect on the memories and traditions that make this season special.

 

Please join us for the following family-friendly programs with Houston Ballet:

 

OPENING RECEPTION | Saturday, November 9, 10:30 AM - 12:30 PM

 

December 3, 202411:00 AM - 12:00 PMLooscan Neighborhood LibraryBallet TalkRegister Here
December 4, 202410:30 - 11:30 AMPark Place Regional LibraryBallet TalkRegister Here
December 17, 202411:00 AM - 12:00 PMStanaker Neighborhood LibraryBallet TalkRegister Here
December 19, 20244:00 - 5:00 PMOak Forest Neighborhood LibraryBallet TalkRegister Here
December 21, 202411:00 AM - 12:00 PMKendall Neighborhood LibraryBallet TalkRegister Here
December 21, 202411:30 AM - 12:15 PMCentral LibraryDance to LearnRegister Here
January 4, 202511:30 AM - 12:15 PMCentral LibraryDance to LearnComing Soon

 


EXPLORE SPECIAL COLLECTIONS

MSS 0169 Lauren Anderson Papers

Finding aid coming soon!

 


SUGGESTED READING AND MEDIA

 

Kid/Juvenile

 

Adult

 

Don't forget our Library of Things!

 

Listen to over 100 music recordings of The Nutcracker!

 


This exhibition is in partnership with Houston Ballet and generously supported by City of Houston, Houston Public Library, and Houston Public Library Foundation.

 

12/16/2024
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Image courtesy of Priscilla T Graham

 
October 19, 2024 - January 14, 2025
 

For Whence We Stand is a documentary exhibit designed to create awareness, inform, educate, and stimulate learning through positive imaging and storytelling using mixed media, photography, and cinematography. The exhibit tells the story of the people fighting to preserve the cultural heritage of their community and the African American experience in Houston. Freedmen's Town, a living laboratory of African American history and life, was founded after the Civil War in 1865. The Freedmen, originally from small farms and plantations south and southwest of Houston along the Brazos River, migrated to Houston via the San Felipe Road, a significant migration route that symbolized their journey to freedom and opportunity. Many settled on the Buffalo Bayou's swampy banks, where they established their community.

The Freedmen, a community of skilled stonemasons and carpenters, built their homes, businesses, churches, and even paved their streets with bricks they paid for themselves. This original settlement evolved into the economic, spiritual, and cultural heart of Houston's African American community. The self-sufficient Freedmen's Town boasted its businesses, hospital, and unique and intriguing architecture that continues to fascinate visitors today. Schools, a library, YMCA, YWCA, and various denominational churches were also part of this vibrant community. More than 95% of Houston's first African American businesses were located in Freedmen's Town, a testament to the community's entrepreneurial spirit and resilience.

 

About Priscilla T Graham, The Visual Historical Lyricist

Priscilla T Graham is an American documentary photographer, author, and filmmaker who specializes in storytelling through the lens of the camera, capturing timeless moments of life. Her work is not just about capturing images, but about preserving the rich history and culture of the African American experience in Houston. It is a testament to her love for the community and her commitment to its history.

 


JOIN US

Artist Talk and Reception | Saturday, November 16, 2:30 - 4:00 PM

 


EXPLORE SPECIAL COLLECTIONS

Elbert Howze Collection (MSS 0171)

The Elbert Howze Collection contains newspaper articles, photographs, drawings, and his “Fourth Ward” photography book. The contents of the collection primarily focuses on structures, people, and life in Fourth Ward, Houston during the 1980s.

Freedmen's Town Association Collection (RG 0052)

The Freedmen's Town Association Collection contains documents and published materials pertaining to the efforts of the Freedmen's Town Association in preserving the Fourth Ward from 1983 to 1986.

General S. and Mary L. Johnson Collection (MSS 0129)

The General S. and Mary L. Johnson Collection is reflective of Mrs. Johnson's life and career, spanning mostly through the 1920s to the 1970s. The papers include original writings, correspondence, biographical material, and newspaper clippings. Significant portions of the collection represent her time as a teacher and educator, showcase her editorial writings, and signify the Johnson's involvement with the Antioch Baptist Church in Houston. Other items in the collection include photographs and objects, such as a paddle board from Phillis Wheatley High School, a swagger stick, and school ribbons from Mrs. Johnson's time as a student at the Houston Colored High School in 1917.

Ken Breisch Photographs (MSS 0187)

The Ken Breisch Collection consists of 60 35mm slides showing buildings and streets in Fourth Ward Houston, Texas between 1983 and 1999. The collection includes images of Ruthven, Mathews, Andrews, and Robin Streets.

Records of the Gregory School Project (RG 0008)

The Records of the Gregory School Project contains records, plans, meetings, reports, and correspondence that document the collaborative process of the City of Houston, the Mayor's Office, the Houston Public Library, architects, contractors, and the surrounding community in their efforts to completely restore the building into the African American Library at the Gregory School.

Reverend Jack Yates and Antioch Baptist Church Collection (MSS 0281)

This collection is an assortment of church and school ephemera such as programs, memorials, yearbooks, and directories; correspondence and documents; along with historically important photographs of Reverend Jack Yates and Fourth Ward scenes and people.

 


SUGGESTED READING

Graham, Priscilla T., 150 Years, Standing Strong

National Register of Historic Places, Freedmen's Town Historic District, Houston, Texas

The Red Book of Houston: A Compendium of Social, Professional, Religious, Educational and Industrial Interest of Houston's Colored Population

Williams, David A. (Editor), Bricks Without Straw: A Comprehensive History of African Americans in Texas

 


This exhibition is partnership with Priscilla T Graham and generously supported by City of Houston, Houston Public Library, and Houston Public Library Foundation.

 

12/16/2024
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Left image: “Globe Theater,” Londinium florentissima Brittaniae urbs, Claes Jansz Visscher, 1626. Courtesy Folger Shakespeare Library. | Middle image: William Shakespeare, 1633. Courtesy Folger Shakespeare Library. | Right image: Anatomy of Melancholy, Robert Burton, 1628. Courtesy National Library of Medicine.

November 26, 2024 - January 17, 2025
 
October 14 - November 25, 2024 
Central Library | 1st Floor
 
 
English poet and playwright William Shakespeare (1564-1616) created characters that are among the richest and most humanly recognizable in all of literature. Yet Shakespeare understood human personality and health in the terms available to his age—that of the now-discarded theory of the four bodily humors—blood, yellow bile, black bile, and phlegm. These four humors were understood to define peoples' physical and mental health, and determined their personality, as well. "And there's the humor of it!": Shakespeare and the four humors explores the language of the four humors and their influence in Shakespeare’s plays. 
 
The National Library of Medicine produced this traveling banner exhibit, guest curated by scholar Gail Kern Paster, PhD (director emerita, Folger Shakespeare Library), and historian and educator Theodore M. Brown, PhD (University of Rochester).
 
 

CHECK OUT OUR CATALOG
 
Teen/Young Adult
 
Adult
 
Watch
 

The National Library of Medicine produced this exhibition and companion website.
 
12/16/2024
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Images courtesy Marla Luttrell

December 7, 2024 – January 23, 2025
 

Looking Up: Sky, Branch and Bough exhibits 44 tree paintings from artist Marla Luttrell’s neighborhood. The paintings, created outdoors to capture the essence of the trees in nature, are presented as small “tiles” mimicking the interface of a cell phone. The juxtaposition of natural beauty and the imitation of man-made technology encourages viewers to go outside and look up at natural beauty rather than look down at their phones. Luttrell observed the trees for over a year. Each painting evokes the senses awakened by sights, sounds, and climate.

 

Marla Luttrell is a contemporary impressionist landscape oil painter in Houston, Texas. For more information, please visit the artist’s website and Instagram page: @marlaluttrellartist.

 


JOIN US

Artist Talk with Marla Luttrell | Saturday, December 7, 4:00 - 5:00 PM

 


CHECK OUT OUR CATALOG

 

Kid/Juvenile

 

Adult

 

Watch

 

Library of Things

12/16/2024
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Image courtesy Mauricio Rodriguez Anza

October 25, 2024 - February 15, 2025
Jungman Neighborhood Library
 

The Nomad Chair is a rotating exhibition featuring the designs of Mauricio Rodriguez Anza. Each location showcases a unique chair selected from a body of work spanning over 40 years. 

 

There have been noteworthy examples of architects who have delved into other artistic disciplines, particularly during the first half of the 20th century. In the manner of Alvar Aalto, Marcel Breuer, or Ludwig Mies van der Rohe, Mauricio Rodriguez Anza has simultaneously practiced architecture, design, and art. During the last few years, he has created a version of what he considers a symbiosis between the three disciplines, which has resulted in a unique and innovative catalog of public art.

 

Each chair corresponds to a different formal discourse; in some, the structural proposal is evident, while in others, it is suggestive or graphically manipulated. There are references to specific historical moments like Dada and Futurism. There is a reinterpretation of Mesoamerican styles that makes us think and speculate about their possible evolution had they not been interrupted by history.

 

The Nomad Chair is a profound testament to the enduring spirit of artistic exploration and rediscovery. The architect-designer-artist reminds us that creativity is not a linear path but a continuous cycle of experimentation, where the emotional is mixed with thought and social discourse can be incorporated into a design object.

 

 


CHECK OUT OUR CATALOG

 

Kid/Juvenile

 

Teen/Young Adult

 

Adult

 

Watch

 

Library of Things

 

This exhibition was created by Vivianne Falcó.

 
12/16/2024
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Martellus Bennett, Creative Director of TOMONOSHi! i+d LaB | Uke Stool by Mr. TOMONOSHi! | The Gumbo Chair by Studio Kër | Michael Bennett, Creative Director of Studio Kër
 
November 22, 2024 - February 28, 2025
 

The Freedmen’s Town Conservancy Visitor Center is proud to present Bennett Road, an exhibition that powerfully engages with the 2025 Black History Month’s theme of Black Labor through the lens of two innovative designers, Michael Bennett, Creative Director of Studio Kër, and Martellus Bennett, Creative Director of TOMONOSHi! i+d LaB. This exhibition is a significant exploration of identity, community, and the intersections of culture, drawing from both artists’ rich backgrounds and their deep connection to the African diaspora.

Bennett Road serves as a platform for community engagement, particularly for the youth of Houston Freedmen’s Town. By prioritizing play and exploration, the exhibition encourages the next generation to embrace their heritage and the legacy of Black labor, inspiring them to become active participants in their communities. Through the lens of design and creativity, the exhibition empowers youth to envision a future that honors their roots while cultivating agency and innovation.

Bennett Road is co-organized by Houston Freedmen’s Town Conservancy (HFTC) and Contemporary Arts Museum Houston (CAMH) as part of the Rebirth in Action project. The exhibition is curated by Mich Stevenson, Project Manager – Partnerships.

 


Major support for THIS WAY: A Houston Group Show is provided by the Mellon Foundation. Rebirth in Action is funded by the National Endowment for the Arts.

12/16/2024
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Detail of Girolamo Ruscelli, Nueva Hispania Tabula Nova, 1574. Courtesy of the Houston History Research Center, Houston Public Library.

 
June 12, 2024 - March 15, 2025

 

Celebrating the opening of the Dr. James and Betty Key Map Room, Mapping Texas and Houston: Selections from the Houston History Research Center highlights some of the over 2000 maps at the Houston History Research Center. The maps have found their way into the collection via individual donations, as part of archival collections, and through the state document depository program. The new Key Map Room is a dedicated gallery space for displaying maps of Houston, Texas, and beyond, offering a unique opportunity for the public viewing of these beautiful and educational pieces of history.

This exhibition explores the changing shapes of Texas and Houston, starting with 16th century world maps from the European Age of Discovery. As explorers traversed the region, our understanding of the shape of the Texas coastline and the geography of its landforms and waterways grew more accurate. The maps record the dramatic evolution of the state’s boundaries through colonization, revolutions, and US statehood.

 


EXPLORE SPECIAL COLLECTIONS

Maps

Historical maps of Houston and surrounding areas, digitized items include the earliest map of Houston, Gail and Thomas H. Borden's “Plan of the City of Houston,” and the 1869 map by W. E. Wood.

Dr. Claude Elliott Texana Collection (MSS 0048)

Dr. Elliott was formerly a professor of history of San Marcos Teacher's College, San Marcos, Texas, and was a collector of Texana for many years. The Elliott collection consists of 23 early Texas documents which Dr. Elliott considered to be the finest in his collection. These documents will be of value to researchers on the land policies of Mexico and the Republic of Texas.

Robert P. Boyce Papers (MSS 0038)

Robert P. Boyce (1816-1889) was born in Cincinnati, Ohio, and claimed his memoirs to “come of a hard headed race.” He was a veteran of both the Texas Revolution and the U.S. Civil War. An important milestone during his military career transpired when he was assigned to guard Santa Anna following the Texas victory at the Battle of San Jacinto. This collection is comprised of a scrapbook, which contains newspaper clippings and mementos, a handwritten memoir and corresponding typescripts, maps, and photographs from the life of Robert P. Boyce.

 


SUGGESTED READING

 


This exhibition is generously supported by Houston Public Library, Houston Public Library Foundation, and City of Houston.

12/16/2024
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African Instruments, 2021, mixed media quilt | Hit the Bullseye, 2012, mixed media quilt

 

The McCrane-Kashmere Gardens Neighborhood Library will feature a pop-up exhibit of quilts imagined and created by Patricia Henderson aka Lady Trish. A selection of quilts honoring Black History will be on view from January 9 to February 28, followed by quilts celebrating Women's History Month in March. Lady Trish embroidered some of these quilts using machines available in the makerspace at HPL - TECHLink Dixon.

 

Lady Trish Henderson is a member of the Jubilee Quilt Circle (JQC), a signature program of the Community Artists' Collective. The JQC quilters currently have a partnership with the Glassell School of Art at the Museum of Fine Arts, Houston. The JQC Quilters in Residence program, which runs through August 2025, meets every Thursday. Participants share ideas and create new works within the foundation of quilting and will also collaborate with other artists on new projects across diverse disciplines.

 

 

ARTIST STATEMENT

 

Where do I start? Where does anyone start?

 

No one pushed me into it. I remember liking quilts in my 30s because they were interestingthe patterns, the fabrics, the feel of something in your mind that you think and then express. A quilt is like a 200-piece jigsaw puzzle that you finally complete with all the pieces in place and no extras left. And someone, a total stranger, can relate to your creation and appreciate it.

 

I wanted to start quilting, so I started looking for a place that offered classes. I looked in a weekly community paper and found a center near me, and the time was right: the Aldine Area Quilt Guild on Wednesdays at 6 PM. I signed up. I knew nothing about anything. These seasoned ladies took me under their wings and showed me how to select patterns, fabric, scissors, mats, and thread with patience. Virginia Payne told me to think outside the box, and that's what I've been doing ever since.

 

I love African printsall African prints. The colors fascinate me and remind me of the richness of my roots that make each of us so unique. Sometimes, I can finish a quilt top in a week. Other times, it can take 6 months because I have to feel it. I may start a piece with four blocks, and when I start digging around in my fabric stash, my mind goes AWOL, and it may become 24 blocks.

 

I am now part of the Jubilee Quilt Circle; they are a group that is precise and knowledgeable, but they also share, grow, and learn together. We are currently working on an Underground Railroad quilt collectively and individually. I am going to tackle my version of The Green Book. I am destined to grow with this group of ladies and men. I will continue to express myself through my quilts. I will continue to share what I have discovered and try to get you to understand how far we have come and not to sleep or become stagnant in the nowhelp someone to help themselves.

 

 


CREATE WITH US

 

Attend an Embroidery Workshop:

January 83:00 - 4:00 PMTECHLink DixonRegister Here
January 1411:00 AM - 12:00 PMTECHLink DixonRegister Here
January 231:00 - 2:00 PMTECHLink DixonRegister Here
January 2712:30 - 1:30 PMTECHLink DixonRegister Here
February 53:00 - 4:00 PMTECHLink DixonRegister Here

 


EXPLORE SPECIAL COLLECTIONS

Kashmere Reunion Stage Band (RG 0030)

The Kashmere Stage Band (KSB) was a high school jazz funk band from the Kashmere Gardens area of Houston, Texas. Founded by band leader Conrad O. Johnson, he created a blend of funk rhythms with big-band jazz that was a unique sound for competitions and live performances. The band was voted “Most Outstanding Band in the Nation” at the 1972 All-American Stage Band contest. The Kashmere Reunion Stage Band Collection contains photographs, memorabilia, audiovisual materials and documents including letters, sheet music, event programs and advertising that represent the activities of KSB during the 1970s and the Kashmere Reunion Stage Band during the 2000s.

 

Conrad O. Johnson Collection (MSS 0039)

Conrad O. Johnson was a musician, composer, educator, and band director in Houston during the mid-twentieth century. Johnson attended Jack Yates High School, where he played saxophone in the band. After graduation, he attended the Houston College for Negroes (now Texas Southern University) and graduated from Wylie College (now Wylie University). During his 37-year teaching career in public schools, he taught jazz at Booker T. Washington High School and became the music director at Kashmere High School, where he created the Kashmere High School Stage Band. This collection contains papers that highlight Johnson's career accomplishments and his legacy as an African American band and music director and long-time youth mentor in the 1960s.

 


 

CHECK OUT OUR CATALOG

 

Kid/Juvenile

 

Adult

 

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Library of Things

12/06/2024
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Mathieu Jean Baptiste, N L, 2024, acrylic and oil on panel | Afi Ese, Sir Charles, II, 2024, oil on canvas | Mathieu Jean Baptiste, N L pt2, 2024, acrylic and oil on panel

 
January 25 - April 25, 2025
and
 

The biennial Citywide African American Artists Exhibition is a collaboration between the University Museum at Texas Southern University and the Museum of Fine Arts, Houston. The exhibition offers all artists of the African Diaspora in the Greater Houston area the opportunity to show their work to a broader public and art-collecting community.

The 2024 exhibition was juried by Christopher Blay, director of public programs at the National Juneteenth Museum. It is on view at the Glassell School of Art at the Museum of Fine Arts, Houston from December 12, 2024, through January 12, 2025. The 2024 Artist prizes were juried by Dr. Laura Augusta, Jane Dale Owen Director & Chief Curator of Blaffer Art Museum, Christina Grubitz, Curator at Houston Public Library, and Christopher Paul, Houston artist.

 

1st Prize: Sir Charles, II by Afi Ese

2nd Prize: Green with Envy by Jon Gilcrist

3rd Prize: Circle of Trust by Eddie Filer, Jr.

Special Mentions: Fragmentation I by Ebony, Opulence V by Jaymes Earl, All Night Long / Around the Way Girl by Quentin Pace

Curator's Choice Award: Jesus Pieces by Christopher Crooke

 

Participants in 2024 Citywide African American Artists Exhibition include Shawn Artis, Mathieu Jean Baptiste, Mikal Boston, Rodney D. Butler, Sinden Collier, Christopher Crooke, John NEGRASSO Duncan, Jaymes Earl, Ebony, Anne Edwards, Afi Ese, Eddie Filer, Jr., Melissa Fontenette-Mitchell, Sara Ford, Marc Furi, Jon Gilchrist, Karl E. Hall, Patricia Henderson, Prof. Charles Holmes a.k.a. Hakeem Hassan, Monae Jacobs, Dannye Jones, Christie Leday, C. M. Lewis, Terry Madison, Quentin Pace, Romeo Clay Robinson, Daniel Sam, Shunshieva, La'Toya Smith, Oluseyi Soyege, Kamryn Sterling, Roy Vinson Thomas, Vonola Joseph Trinidad, Vernon, and Rickale West.

 


EXPLORE SPECIAL COLLECTIONS

Oscar and Maudene McNary Collection (MSS 0022)

The Oscar and Maudene McNary Collection reflects the lives of Oscar and Maudene McNary as art collectors and art consultants, and the many artists they have known both professionally and personally over the years. This collection, which dates from 1915  to 2008, consists of news clippings, correspondence, programs, photographs, art books, art related publications, and art and artifacts created by African American artists including John Biggers, Carroll Harris Simms, Jacob Lawrence, and Robert Neal Williams.

 


CHECK OUT THE CATALOG

 

Kid/Juvenile

 

Adult

 

Watch

 

Create with our Library of Things!

 


This exhibition is partnership with Museum of Fine Arts, Houston and the University Museum at Texas Southern University.

12/02/2024
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Installation view of Mexican Fiestas

September 14 - December 5, 2024 
Central Library | 1st Floor Gallery
 
Featuring striking images by Houston photographer Geoff Winningham, Mexican Fiestas presents a vivid chronicle of the historic and diverse traditions of Mexican festivals-deeply rooted expressions of the country's religious and cultural heritage. Beginning with his first trip to the state of Michoacán for Día de los Muertos, Winningham's work spans decades, documenting a wide array of festive traditions in villages throughout Mexico, highlighting how these celebrations unite communities through centuries-old traditions of art, music, dance and worship.
 

Please join us for the following events:
 
Meet and Greet the Artist | Saturday, October 26, 2024 | 3:00 - 4:30 PM
 

ARTIST STATEMENT
 
In order to appreciate the cultural importance of the popular fiestas of Mexico, one must go back to the 16th century, to the years immediately following the Spanish conquest, when the indigenous religious celebrations of the Amerindian civilizations of Mesoamerica began to fuse with the Catholic rites of the Spanish conquerors. Beginning at that time, over five centuries ago–and continuing to the present day–Mexican fiestas have served as living reminders of the country’s turbulent history, as well as celebrations of its religious and spiritual foundations. 
 
Through music, dance, art, and storytelling, Mexican fiestas have passed ancient knowledge and customs from one generation to the next, while providing platforms for artisans, musicians, and performers to showcase their talents, thus ensuring that cultural legacies continue to flourish and evolve in the modern world. 
 
The elaborate costumes, masks, and rhythmic dances of the Nahual people of Zinacapan, Puebla, the vibrant music and intricate artistry of the Day of the Dead celebrations in Oaxaca and Michoacán, the solemn processions and ceremonial rituals of the penitents at Atotonilco, Guanajuato, each offers a window into the soul of Mexico. 
 
In 1983, I drove across the border from Texas into Mexico for the first time, where I discovered a New World at my doorstep. Fascinated by the culture, amazed by the diverse beauty of the landscape, and enthralled by the fiestas I witnessed, I traveled for almost a year, exploring and photographing virtually every region of Mexico. A year later, I returned on another driving trip, specifically to see and to photograph the famous celebration of el Día de los Muertos (the Day of the Dead) in the region around Lake Pátzcuaro. 
 
Shortly after that trip, a Mexican photographer friend gave me a copy the Calendario de Fiestas Populares. Published by the Mexican Office of Popular Culture, roughly the size of a large Bible, the Calendario is a unique volume, listing over 7,000 traditional fiestas with historic roots, located in every region of Mexico. Each of these fiestas is celebrated annually, some in cities, but most in villages so far off the beaten track that the Calendario includes maps, guides for those who wish to find and observe these remote celebrations. Since discovering the Calendario, I have traveled to photograph several hundred fiestas in 22 Mexican states. 
 
The most famous of these festivities, the Day of the Dead, is now widely promoted by the Mexican government, bringing more tourists to those celebrations each year. Still, most Mexican fiestas are barely known beyond the tiny villages in which they are celebrated, and many are struggling to survive, as their rural communities face the eroding effects of television, internet, and the migration of their inhabitants from their homes, often across the US border, in search of work. 
 
In addition to the historic and cultural importance of the popular fiestas of Mexico, there is another, more profound reason that fiestas have continued to exist and seem certain to survive as an essential part of Mexican culture. 
 
Writing in In the Eye of the Sun: Mexican Fiestas, the eminent Chicano writer Richard Rodriguez observed: 
 
On the day of the fiesta, everything is different. . . On any other day of the year the will of God may be hard to decipher, harder to bear. Why has God allowed a drought to wither the fields? Why did He allow our mother to suffer with cancer . . . there are no answers. 
 
The fiesta impersonates a divine motive. If not an answer, the fiesta supplies a droll rhyme—tears become sequins. The pleasure of the fiesta is that for one day the link between heaven and earth is certain. The air in the early morning seems different, sweeter. The sky hangs at a slant unlike any other day of the year. 
 
I offer the photographs in this exhibition as a visual record of the Mexican fiestas I have witnessed, as personal memoir of the trail of marvels that I have followed across Mexico over the past forty years, and as a love poem to this beautiful country and to its people, who have welcomed me so generously.  
  

SUGGESTED READING
 
 
Kid/Juvenile
- Silva, Sadie, Day of the Dead
 
Adult
- Beezley, William H., Mexico in World History
- Meyer, Michael C., The Oxford History of Mexico
 
Check out our Library of Things!
 

Mexican Fiestas is a traveling exhibition by Humanities Texas, the state affiliate of the National Endowment for the Humanities, created in collaboration with Houston photographer Geoff Winningham.
 
Field is required.
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