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01/31/2025
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Haruki Murakami and Paul Theroux Book Signing | Zadie Smith | Margaret Atwood Library | All images © Laura Wilson

 

February 14 - June 14, 2025

 

Renowned photographer Laura Wilson offers us intimate glimpses into the everyday lives of more than 30 influential and internationally acclaimed writers. This exhibition features of a selection of portraits from her book, The Writers: Portraits (Yale University Press, 2022), which was inspired by the popular photo essays published in Life magazine in the mid-20th century. After viewing this collection of portraits and candid photographs, borrow and enjoy the works of these best-selling writers from Houston Public LIbrary's collection.

Laura Wilson's photographs have appeared in The New York Times Magazine, The New Yorker, Vanity Fair, and London's Sunday Times Magazine, The Washington Post Magazine, among others. She has published seven books of photographs and text including Avedon at Work (2003), Grit and Glory (2003), That Day: Pictures in the American West (2015), and From Rodin to Plensa (2018).

 


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Opening Reception with Laura Wilson | Thursday, February 13, 2025, 5:00 - 7:00 PM

 


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Books by Laura Wilson

 

Writers Featured in this Exhibition

 

01/31/2025
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Teaching Artist, Carlos Mendoza working with students in the classroom. Photo by Hector Garcia.

February 13 - May 27, 2025

 

Contemporary Arts Museum Houston (CAMH)’s Teaching Artists In Classrooms (TAIC) program is a collaborative initiative that integrates professional artists into school settings, fostering creativity and self-expression among students at South Early College High School (SECHS). Over two weeks, students engaged in a meaningful art project under the guidance of local artist Carlos Mendoza, renowned for his evocative portraiture exploring his relationship with the city of Houston. Students began by selecting photographs of deep personal significance, which served as the foundation for their original sketches. Reflecting on the question, “Who is depicted in your image, and what do they mean to you?” students connected their artwork to personal narratives, bringing emotional depth to their creations.

Under Mendoza’s mentorship, students were encouraged to step outside their comfort zones, especially as many had never considered themselves artists. For most, this project marked their first experience with acrylic paints, pushing them to explore new techniques and mediums. The resulting artworks are vibrant self-portraits that reflect relationships with family, friends, and pastimes, showcasing the students' resilience and creativity. This collaboration between CAMH, SECHS, and Houston Public Library underscores the transformative power of art in education, empowering students to explore their identities, develop artistic voices, and celebrate the intersection of community and creativity.

 


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Wednesday, February 12, 2025, 5:00 - 7:00 PM | Opening Celebration of Through Our Eyes: The Art of Family, Friendship, and Pastimes

 


About Teaching Artists in Classrooms (TAIC)

The Teaching Artists in Classrooms (TAIC) program allows K-12 students from historically under-resourced school to learn from and work closely with a local Houston artist on a collaborative project in their home classroom. This program is a natural outgrowth of CAMH"s many conversations with HISD art teachers on their needs, especially current and past participants of CAMH's Teacher Advisory Group (TAG). The program provides teachers with additional support in the classroom and emerging artists with professional development opportunities. Hand-selected teaching artists work with art teachers on projects that meet the school's community needs and bring new ideas, materials, and perspectives into the classroom. Furthermore, these artists establish a direct connection with the Museum by bringing students on field lessons to the Museum and introducing them to CAMH. Currently, TAIC participating teachers are from HISD and Aldine ISD.

 

About Contemporary Arts Museum Houston (CAMH)

Contemporary Arts Museum Houston presents extraordinary, thought-provoking arts programming and exhibitions to educate and inspire audiences nationally and internationally.

Established in 1948, CAMH is one of the country's oldest non-collecting contemporary art museums and is internationally known for presenting pivotal and landmark work by artists recognized as the most important of the 20th and 21st centuries. CAMH’s mandate is to be present, to connect artists and audiences through the urgent issues of our time, and to adventurously promote the catalytic possibilities of contemporary art. CAMH’s programming, both in and beyond the Museum, is presented free to the public and advocates for artists’ essential role and impact in society. Contemporary Arts Museum Houston is located in the heart of the Museum distinct at 5216 Montrose Boulevard. For more information, visit camh.org. 

01/25/2025
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Mathieu Jean Baptiste, N L, 2024, acrylic and oil on panel | Afi Ese, Sir Charles, II, 2024, oil on canvas | Mathieu Jean Baptiste, N L pt2, 2024, acrylic and oil on panel

 
January 25 - April 25, 2025
and
 

The biennial Citywide African American Artists Exhibition is a collaboration between the University Museum at Texas Southern University and the Museum of Fine Arts, Houston. The exhibition offers all artists of the African Diaspora in the Greater Houston area the opportunity to show their work to a broader public and art-collecting community.

The 2024 exhibition was curated by Christopher Blay, director of public programs at the National Juneteenth Museum. It was on view at the Glassell School of Art at the Museum of Fine Arts, Houston from December 12, 2024, through January 12, 2025. The 2024 Artist prizes were juried by Dr. Laura Augusta, Jane Dale Owen Director & Chief Curator of Blaffer Art Museum; Christina Grubitz, Curator at Houston Public Library; and Christopher Paul, Houston artist.

 

1st Prize: Sir Charles, II by Afi Ese

2nd Prize: Green with Envy by Jon Gilcrist

3rd Prize: Circle of Trust by Eddie Filer, Jr.

Special Mentions: Fragmentation I by Ebony, Opulence V by Jaymes Earl, All Night Long / Around the Way Girl by Quentin Pace

Curator's Choice Award: Jesus Pieces by Christopher Crooke

5A (MFAH African American Art Advisory Association) Choice Award: Our Bookcase by Patricia Henderson

 

Please visit both locations to see artwork by Shawn Artis, Mathieu Jean Baptiste, Mikal Boston, Rodney D. Butler, Sinden Collier, Christopher Crooke, John NEGRASSO Duncan, Jaymes Earl, Ebony, Anne Edwards, Afi Ese, Eddie Filer, Jr., Melissa Fontenette-Mitchell, Sara Ford, Marc Furi, Jon Gilchrist, Karl E. Hall, Patricia Henderson, Prof. Charles Holmes a.k.a. Hakeem Hassan, Monae Jacobs, Dannye Jones, Christie Leday, C. M. Lewis, Terry Madison, Quentin Pace, Romeo Clay Robinson, Daniel Sam, Shunshieva, La'Toya Smith, Oluseyi Soyege, Kamryn Sterling, Roy Vinson Thomas, Vonola Joseph Trinidad, Vernon, and Rickale West.

 


EXPLORE SPECIAL COLLECTIONS

Oscar and Maudene McNary Collection (MSS 0022)

The Oscar and Maudene McNary Collection reflects the lives of Oscar and Maudene McNary as art collectors and art consultants, and the many artists they have known both professionally and personally over the years. This collection, which dates from 1915  to 2008, consists of news clippings, correspondence, programs, photographs, art books, art related publications, and art and artifacts created by African American artists including John Biggers, Carroll Harris Simms, Jacob Lawrence, and Robert Neal Williams.

 


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Create with our Library of Things!

 


This exhibition is partnership with Museum of Fine Arts, Houston and the University Museum at Texas Southern University.

01/25/2025
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Image courtesy African American History Research Center at the Gregory Campus, Houston Public Library

 
February 4 - March 31, 2025
 

A love story born from letters and nurtured through decades of dedication, the Lawson Love Letters transport you to a time of heartfelt correspondence and a timeless romance. Step into a world where years of letters changed the course of two lives forever. Labor of Love: The Lawson Love Letters highlights a unique interpretation of the Black History Month theme African Americans and Labor, by showcasing the labor of love exercised in building and sustaining relationships. These letters invite you to immerse yourself in and celebrate the extraordinary courtship of Reverend William and Mrs. Audrey Hoffman Lawson—a romance that blossomed from an audacious dormitory dare and flourished over fifty-six years of unwavering love. 

Witness the evolution of their relationship as Audrey, a student at Tennessee State University, reached out to William (affectionately known as Bill), an alumnus she had never met. Through their daily letters, a remarkable bond formed—bridging the distance and transcending the constraints of time, long before the digital age. The letters, initially platonic, filled with warmth and growing affection, trace Bill’s realization that he had fallen for this faceless young woman. Despite never having exchanged photographs, their connection was undeniable. Bill’s journey to St. Louis, under the pretext of visiting relatives, led to a brief but impactful courtship, ending with their wedding on January 30, 1954. 

The vivid memory of Audrey’s bright red corduroy suit on their first meeting earned her the endearing nickname “Little Red,” symbolizing their enduring love. Bill’s proposal at a summer camp was followed by a heartfelt request for Audrey’s father’s blessing. The ruby engagement ring he gave her, surrounded by diamonds, symbolized the vibrant red theme that marked their relationship. 

 


EXPLORE SPECIAL COLLECTIONS

 

Rev. William and Audrey Lawson Collection (MSS 0200)

These three volumes tell the story of a courtship that began between two people who had never seen each other, and lasted for 56 years. Most people know this couple as Rev. William and Mrs. Audrey Hoffman Lawson. William had graduated from Tennessee State and Audrey transferred there after he had left. She hadn't a clue who this alumnus was, but he was writing to some of the girls in Hayes Hall, the women's dormitory. One night when they were sharing a letter from him, Audrey remarked that she liked the letters and that she might write to him. One of the girls dared her to do it, and on that dare she wrote the first letter. Can you believe that a 56-year love partnership started by a college girl taking a dare?

 

Wheeler Avenue Baptist Church Collection (RG 0010)

In March of 1962, 13 pioneering worshippers assembled in the lounge of Texas Southern University's Baptist Student Union for the sole purpose of establishing an ecclesiastical form of expression through which the worship of God and service to mankind could coexist. Founder Rev. Dr. William A. Lawson and the original members served to improve social justice and demand change. The institution quickly became one of Houston's leading African American churches actively in its community giving back to the needy. The Wheeler Baptist Church Collection houses the papers of the church from 1968 to 2010. This collection consists of vital news clippings, various event programs, annual reports, and funeral programs.

 

 


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01/25/2025
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Image courtesy Mauricio Rodriguez Anza

October 25, 2024 - February 15, 2025
Jungman Neighborhood Library
 

The Nomad Chair is a rotating exhibition featuring the designs of Mauricio Rodriguez Anza. Each location showcases a unique chair selected from a body of work spanning over 40 years. 

 

There have been noteworthy examples of architects who have delved into other artistic disciplines, particularly during the first half of the 20th century. In the manner of Alvar Aalto, Marcel Breuer, or Ludwig Mies van der Rohe, Mauricio Rodriguez Anza has simultaneously practiced architecture, design, and art. During the last few years, he has created a version of what he considers a symbiosis between the three disciplines, which has resulted in a unique and innovative catalog of public art.

 

Each chair corresponds to a different formal discourse; in some, the structural proposal is evident, while in others, it is suggestive or graphically manipulated. There are references to specific historical moments like Dada and Futurism. There is a reinterpretation of Mesoamerican styles that makes us think and speculate about their possible evolution had they not been interrupted by history.

 

The Nomad Chair is a profound testament to the enduring spirit of artistic exploration and rediscovery. The architect-designer-artist reminds us that creativity is not a linear path but a continuous cycle of experimentation, where the emotional is mixed with thought and social discourse can be incorporated into a design object.

 

 


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Library of Things

 

This exhibition was created by Vivianne Falcó.

 
01/25/2025
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Martellus Bennett, Creative Director of TOMONOSHi! i+d LaB | Uke Stool by Mr. TOMONOSHi! | The Gumbo Chair by Studio Kër | Michael Bennett, Creative Director of Studio Kër
 
November 22, 2024 - February 28, 2025
 

The Freedmen’s Town Conservancy Visitor Center is proud to present Bennett Road, an exhibition that powerfully engages with the 2025 Black History Month’s theme of Black Labor through the lens of two innovative designers, Michael Bennett, Creative Director of Studio Kër, and Martellus Bennett, Creative Director of TOMONOSHi! i+d LaB. This exhibition is a significant exploration of identity, community, and the intersections of culture, drawing from both artists’ rich backgrounds and their deep connection to the African diaspora.

Bennett Road serves as a platform for community engagement, particularly for the youth of Houston Freedmen’s Town. By prioritizing play and exploration, the exhibition encourages the next generation to embrace their heritage and the legacy of Black labor, inspiring them to become active participants in their communities. Through the lens of design and creativity, the exhibition empowers youth to envision a future that honors their roots while cultivating agency and innovation.

Bennett Road is co-organized by Houston Freedmen’s Town Conservancy (HFTC) and Contemporary Arts Museum Houston (CAMH) as part of the Rebirth in Action project. The exhibition is curated by Mich Stevenson, Project Manager – Partnerships.

 


Major support for THIS WAY: A Houston Group Show is provided by the Mellon Foundation. Rebirth in Action is funded by the National Endowment for the Arts.

01/25/2025
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African Instruments, 2021, mixed media quilt | Hit the Bullseye, 2012, mixed media quilt

January 9 - March 1, 2025: Black History Quilts
March 4 - March 31, 2025: Women's History Quilts
McCrane-Kashmere Gardens Neighborhood Library
 

The McCrane-Kashmere Gardens Neighborhood Library will feature a pop-up exhibit of quilts imagined and created by Patricia Henderson aka Lady Trish. A selection of quilts honoring Black History will be on view from January 9 to February 28, followed by quilts celebrating Women's History Month in March. Lady Trish embroidered some of these quilts using machines available in the makerspace at HPL - TECHLink Dixon.

 

Lady Trish Henderson is a member of the Jubilee Quilt Circle (JQC), a signature program of the Community Artists' Collective. The JQC quilters currently have a partnership with the Glassell School of Art at the Museum of Fine Arts, Houston. The JQC Quilters in Residence program, which runs through August 2025, meets every Thursday. Participants share ideas and create new works within the foundation of quilting and will also collaborate with other artists on new projects across diverse disciplines.

 

 

ARTIST STATEMENT

 

Where do I start? Where does anyone start?

 

No one pushed me into it. I remember liking quilts in my 30s because they were interestingthe patterns, the fabrics, the feel of something in your mind that you think and then express. A quilt is like a 200-piece jigsaw puzzle that you finally complete with all the pieces in place and no extras left. And someone, a total stranger, can relate to your creation and appreciate it.

 

I wanted to start quilting, so I started looking for a place that offered classes. I looked in a weekly community paper and found a center near me, and the time was right: the Aldine Area Quilt Guild on Wednesdays at 6 PM. I signed up. I knew nothing about anything. These seasoned ladies took me under their wings and showed me how to select patterns, fabric, scissors, mats, and thread with patience. Virginia Payne told me to think outside the box, and that's what I've been doing ever since.

 

I love African printsall African prints. The colors fascinate me and remind me of the richness of my roots that make each of us so unique. Sometimes, I can finish a quilt top in a week. Other times, it can take 6 months because I have to feel it. I may start a piece with four blocks, and when I start digging around in my fabric stash, my mind goes AWOL, and it may become 24 blocks.

 

I am now part of the Jubilee Quilt Circle; they are a group that is precise and knowledgeable, but they also share, grow, and learn together. We are currently working on an Underground Railroad quilt collectively and individually. I am going to tackle my version of The Green Book. I am destined to grow with this group of ladies and men. I will continue to express myself through my quilts. I will continue to share what I have discovered and try to get you to understand how far we have come and not to sleep or become stagnant in the nowhelp someone to help themselves.

 

 


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January 25, 2025 | 12:00 - 3:00 PM - Meet and Greet with Lady Trish

March 15, 2025 | 12:00 - 3:00 PM - Women's History Month Celebration

 


CREATE WITH US

 

Attend an Embroidery Workshop:

January 131:00 - 2:00 PMTECHLink AliefRegister Here
January 1411:00 AM - 12:00 PMTECHLink DixonRegister Here
January 165:00 - 6:00 PMTECHLink Scenic WoodsRegister Here
January 221:00 - 2:00 PMTECHLink Scenic WoodsRegister Here
January 231:00 - 2:00 PMTECHLink DixonRegister Here
January 2712:30 - 1:30 PMTECHLink DixonRegister Here
February 35:00 - 6:00 PMTECHLink AliefRegister Here
February 53:00 - 4:00 PMTECHLink DixonRegister Here

 


EXPLORE SPECIAL COLLECTIONS

Kashmere Reunion Stage Band (RG 0030)

The Kashmere Stage Band (KSB) was a high school jazz funk band from the Kashmere Gardens area of Houston, Texas. Founded by band leader Conrad O. Johnson, he created a blend of funk rhythms with big-band jazz that was a unique sound for competitions and live performances. The band was voted “Most Outstanding Band in the Nation” at the 1972 All-American Stage Band contest. The Kashmere Reunion Stage Band Collection contains photographs, memorabilia, audiovisual materials and documents including letters, sheet music, event programs and advertising that represent the activities of KSB during the 1970s and the Kashmere Reunion Stage Band during the 2000s.

 

Conrad O. Johnson Collection (MSS 0039)

Conrad O. Johnson was a musician, composer, educator, and band director in Houston during the mid-twentieth century. Johnson attended Jack Yates High School, where he played saxophone in the band. After graduation, he attended the Houston College for Negroes (now Texas Southern University) and graduated from Wylie College (now Wylie University). During his 37-year teaching career in public schools, he taught jazz at Booker T. Washington High School and became the music director at Kashmere High School, where he created the Kashmere High School Stage Band. This collection contains papers that highlight Johnson's career accomplishments and his legacy as an African American band and music director and long-time youth mentor in the 1960s.

 


 

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Library of Things

01/25/2025
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Detail of Girolamo Ruscelli, Nueva Hispania Tabula Nova, 1574. Courtesy of the Houston History Research Center, Houston Public Library.

 
June 12, 2024 - March 15, 2025

 

Celebrating the opening of the Dr. James and Betty Key Map Room, Mapping Texas and Houston: Selections from the Houston History Research Center highlights some of the over 2000 maps at the Houston History Research Center. The maps have found their way into the collection via individual donations, as part of archival collections, and through the state document depository program. The new Key Map Room is a dedicated gallery space for displaying maps of Houston, Texas, and beyond, offering a unique opportunity for the public viewing of these beautiful and educational pieces of history.

This exhibition explores the changing shapes of Texas and Houston, starting with 16th century world maps from the European Age of Discovery. As explorers traversed the region, our understanding of the shape of the Texas coastline and the geography of its landforms and waterways grew more accurate. The maps record the dramatic evolution of the state’s boundaries through colonization, revolutions, and US statehood.

 


EXPLORE SPECIAL COLLECTIONS

Maps

Historical maps of Houston and surrounding areas, digitized items include the earliest map of Houston, Gail and Thomas H. Borden's “Plan of the City of Houston,” and the 1869 map by W. E. Wood.

Dr. Claude Elliott Texana Collection (MSS 0048)

Dr. Elliott was formerly a professor of history of San Marcos Teacher's College, San Marcos, Texas, and was a collector of Texana for many years. The Elliott collection consists of 23 early Texas documents which Dr. Elliott considered to be the finest in his collection. These documents will be of value to researchers on the land policies of Mexico and the Republic of Texas.

Robert P. Boyce Papers (MSS 0038)

Robert P. Boyce (1816-1889) was born in Cincinnati, Ohio, and claimed his memoirs to “come of a hard headed race.” He was a veteran of both the Texas Revolution and the U.S. Civil War. An important milestone during his military career transpired when he was assigned to guard Santa Anna following the Texas victory at the Battle of San Jacinto. This collection is comprised of a scrapbook, which contains newspaper clippings and mementos, a handwritten memoir and corresponding typescripts, maps, and photographs from the life of Robert P. Boyce.

 


SUGGESTED READING

 


This exhibition is generously supported by Houston Public Library, Houston Public Library Foundation, and City of Houston.

01/25/2025
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MSS0137-PH018 Courtesy African American History Research Center at the Gregory Campus, Houston Public Library
 
March 21 - June 7, 2025
 

Space for Us: Afrofuturism and the Poetic Imagination is a multidisciplinary exhibition that seeks to usher in a new Houston by exploring both the historical and contemporary demands of organizers, poets, archivists, and community members within this city. Pairing photos and materials from the archives of the African American History Research Center at the Gregory Campus with multilingual poems exploring ideas of home, community and imagined futures, audiences will experience the urgency of worldbuilding, using the tools we have and the tools we create, to actualize a liberated Houston. Alongside these poems and archives, a poetic tapestry of interviews from Black community leaders across Greater Houston will showcase the present organizing efforts that move through, beyond, and alongside the page to create the Houston we deserve. Through this exploration of poetry, preservation and movement building, Space for Us is a poetic manifesto of this audacious city we aim to see in our lifetime and long after.

Facilitated as part of Aris Kian Brown's community outreach project as 2023-2025 Houston Poet Laureate, this exhibition aims to challenge the boundaries between art and organizing, protest and poetics, imagination and demand. Audiences will be able to engage with the demands of Houstonians in real time, allowing the urgency of poetry to serve as a tool for contemporary organizing, worldbuilding, and language justice for communities in Houston fighting for all marginalized people.

 


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Opening Reception - Coming Soon

 


EXPLORE SPECIAL COLLECTIONS

 

Ben Desoto Photographs Collection (MSS 0118)

The Ben Desoto Photographs Collection documents his career in Houston as a freelance photographer and as a photojournalist for the Houston Chronicle and Houston Post from the 1980s to 2020s. This collection contains over 30,000 photographic items including photographs, negatives and slides, newspapers, and notebooks that depict life in minority communities and the early stages of gentrification in historically Black neighborhoods and hip hop and rock music during the 1980s and early 1990s. His work captures Freedmen's Town, the Allen Parkway Village and Direct Exposure youth projects along with local social problems including homelessness and poverty in his Understanding Poverty Project.

Eliza Johnson Home for Aged Negroes Collection (RG 0047)

The Eliza Johnson Home for Aged Negroes began as a dream of Anna Dupree. Dupree moved to Houston from Galveston in 1916. When the Eliza Johnson Home opened in June 1952, it was largely due to her determination and resources, as well as support and encouragement of her husband, Clarence (C.A.) and others in the black community. The goal of the Home - located on a 35-acre tract off Chocolate Bayou Road in the historically black neighborhood of Sunnyside - was basic: to provide a place “where our old people enjoy kind, human care and freedom from fear and want in their remaining days.”

Black Photographic Collection (MSS 0137)

This collection is composed of mostly photographic images having to do with African Americans in the Houston area from 1896 to 1968. Except for its singular focus on images of African Americans, this collection is miscellaneous. Several of the photographs are of Jack Johnson, the first African American world heavyweight boxing champion and a Juneteenth Parade float. Some images are tintypes of well-dressed people in Third Ward and downtown Houston during the early 20th century.

 


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Adult

 

Works by past Poet Laureates

01/22/2025
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Images courtesy Marla Luttrell

December 7, 2024 – January 23, 2025
 

Looking Up: Sky, Branch and Bough exhibits 44 tree paintings from artist Marla Luttrell’s neighborhood. The paintings, created outdoors to capture the essence of the trees in nature, are presented as small “tiles” mimicking the interface of a cell phone. The juxtaposition of natural beauty and the imitation of man-made technology encourages viewers to go outside and look up at natural beauty rather than look down at their phones. Luttrell observed the trees for over a year. Each painting evokes the senses awakened by sights, sounds, and climate.

 

Marla Luttrell is a contemporary impressionist landscape oil painter in Houston, Texas. For more information, please visit the artist’s website and Instagram page: @marlaluttrellartist.

 


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Artist Talk with Marla Luttrell | Saturday, December 7, 4:00 - 5:00 PM

 


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